Yoko Ono Some Time in New York City Album Art

By Madeline Bocaro ©

© Madeline Bocaro, 2019. No role of this site may be reproduced in whole or in part in whatever way without the permission of the copyright possessor.

This is an excerpt from my Yoko Ono biography…

An all-embracing look at Yoko's life and work in stunning detail.

Read all about information technology, run into the reviews and

Gild hither:

https://madelinex.com/2021/12/xix/my-new-book/

Released June 12, 1972 (United states of america) / September 15 (Uk)

John and Yoko moved from England to New York Urban center in September 1971. John would never return to England. Yoko had lived and worked in NYC as an artist before meeting John. He called information technology 'the hippest place on earth." After an extended stay at the St. Regis Hotel, they settled in Greenwich Village – in a two-bedroom loft on Bank Street on November 1, 1971.

Every bit we see in the 1971 Imagine pic (at Tittenhurst Park in England) and their 2 Bed-ins for Peace in 1969 (in Toronto and in Montreal) the couple lived their lives and conducted business from a large bed in the small apartment, receiving lots of visitors and welcoming the press. They did the aforementioned on Banking concern Street, receiving photographers, musical and political guests.

"Everywhere's somewhere, and everywhere'south the same, really,

and wherever you are is where it's at.

 "But it's more so in New York. It does have sugar on it, and I've got a sweet tooth."

– John to Hendrik Hertzberg, The New Yorker,  January 8, 1972

In New York City, the Lennons were immediately swept abroad in the socio-political rebellion of their new radical friends, Yippie leaders Abbie Hoffman and Jerry Rubin. (They are referenced in the song 'Give Peace a Chance' –  John shouts, 'Allow'south hear information technology for the Hippies and the Yippies!'). John and Yoko were overjoyed by their intelligence and humorous tactics. Using 'guerilla theater' Abbie and Jerry (with their 'merry ring of  pranksters') confounded the institution with their wacky antics such as throwing coin effectually at The New York Stock Exchange, announcing the death of commercialism in 1967. They also disrupted the 1968 Democratic National Convention in Chicago by nominating a sus scrofa for president. Abbie's Steal This Book revealed methods of getting food, items and services for gratis and also gave tips on how to make weapons and start your own revolution. Jerry Rubin's Practise It! was some other radical tome. However, John and Yoko's clan with the pair and their demonstrative methods – which were a contrast to their own peaceful protests – was similar playing with burn down.

With their anti-war stance and interest in groups such as the Black Panthers, the Lennons soon had the FBI on their trail. Their life became a nightmare of surveillance and paranoia. The constant threat of deportation loomed over them for many years. Their expired visas in 1972 were grounds for extradition. The INS cited the couple'due south drug bust in England in 1968 when a decadent officer was planting cannabis on major rock stars.

(Sgt. Norman Pilcher was bedevilled of perjury and jailed in November 1972. His volume. Aptitude Coppers: The Story of the Homo Who Arrested John Lennon, George Harrison and Brian Jones was published in September 2020).

The Comprehend

John and Yoko 'comport the news' on the gatefold anthology jacket. The font and type mode of the anthology championship resembles the gothic olde English style of the The New York Times' custom-designed logo. The Times' motto 'All the news that'due south fit to impress' is replaced by 'Ono news that'due south fit to impress'. The publication credit is Joko Press. The vocal titles are the headlines. Lyrics are printed in newspaper style columns. Producer Phil Spector is pictured inside the shadow of The Beatles Apple Records logo. Flies bookend the album title (representing Yoko'south 1971 album Wing). The words 'Annals to Vote' are printed at the bottom. The weather report consists of the political climate surrounding organized religion and free spoken communication. The 'newspaper' is 'Established 1984' – in twelve years' time, at the dawn of  the Orwellian future.

The outer grooves of first pressings are etched with the message, 'John and Yoko forever, peace on globe + skilful volition to men and women ' 72'.

The package includes a postcard of the Statue of Freedom with a raised, clenched fist replacing her lantern. Other goodies included a petition to keep John & Yoko in the USA. A British army recruitment ad printed in The Dominicus on April 1, 1970 announcing the Army'south new pay scale is on the inner sleeve, on which John wrote 'Fit To Die' and signed his name on the application form.  Below the track listing and band credits on the sleeve is Yoko's piece 'Love Call'; 'Make a dearest telephone call. Pass it on to the world. (This meant simply to dial a random phone number and tell whomever answers, "I love you"). The final note on the back cover is, "This album was completed on March xx, 1972, our tertiary wedding anniversary."

In that location are varied versions of the cover in other countries with mitt-written lyrics and replaced photos. About notably, the Nixon/Mao naked dance is stickered or removed with the Statue of Freedom postcard image is in its place. Her raised fist is cropped.

The Label

The five images of John and Yoko'southward "dissolving heads" morphing into each other on the record label were taken by the same photographer who shot the Beatles' Abbey Road album cover, Iain MacMillan. The photos were first used on the poster and catalogue for Yoko'due south commencement retrospective fine art exhibition at the Everson Museum of Art in Syracuse NY in October 1971, on which their faces peek through cutting-out lettering. The aforementioned characterization was used on their 'Happy Xmas (War Is Over)' single characterization.

Musical credit goes to 'John & Yoko / Plastic Ono Band With Elephant's Memory Plus Invisible Strings'. Photos include ane from the Lennons' Telly advent on The Mike Douglas Show with Elephant'due south Memory ring. Jerry Rubin is seen playing a bongo pulsate (Rubin was one of the controversial guests whom John and Yoko selected for their week-long co-hosting stint on the evidence, including Bobby Seale of the Black Panthers). Activist Angela Davis is pictured above the lyrics of Yoko's song almost her, calling for Angela's release from prison.

Amongst the images used to illustrate the 'newspaper' headlines on the album cover, there is a disturbing Japanese graphic illustrating the Lennons' feminist anthem 'Woman Is the Nigger of the World'. The analogy is a cropped black & white detail of a colour drawing by the artist Toshio Saeki, the master of Japanese erotica. This was in the beginning of his career.  The full image is much more disturbing than the detail that appears on the album cover.

(Excerpt from Come across Toshio Saeki, the Master of Japanese Erotica You've Never Heard Of – by Charlotte Jansen):

"After his outset international solo show in Paris in 1970—a rare event for a Japanese artist at the fourth dimension—in 1972, Saeki's art appeared on the cover of John Lennon and Yoko Ono'southSome Time in New York City.That illustration depicts a devil figure with a knife, who is attacking a immature woman dressed in a sailor schoolhouse uniform—a commonplace motif in Japanese erotica in the 1970s, when political correctness was non a consideration. Both the tardily Lennon and Ono have been long-fourth dimension fans of Saeki's work, simply the creative person is reticent about discussing them (or other famous names who take declared their enthusiasm for his piece of work), keen to avert beingness a sycophant.

In fact, Saeki has revealed very little about his work and his life. Dissimilar his creative person peers who emerged from the same era—among them, Tadanori Yokoo, Nobuyoshi Araki, Yayoi Kusama and Ono—Saeki only left Nippon once. But his decision to shy away from the public heart has also been crucial for his art; Saeki estimates that information technology's allowed him to be bolder, freer, and more daring than any mainstream artist could always be."

Saeki passed away in 2019…

Richard Nixon and Chairman Mao enjoy a carefree naked dance to a higher place Yoko'southward lyrics to 'Nosotros're All Water' illustrating that in that location is not much difference betwixt them, between (Charles) Manson and the Pope, nor between any of us. This photo was censored with a permanent sticker in later reissues. During the week that John and Yoko appeared on The Mike Douglas prove in Feb 1972, Nixon made his infamous visit to Communist china and shook hands with Chairman Mao. Yoko performed the song on The Dick Cavett Bear witness on May 11, 1972.

My favorite thing about this album comprehend is this quotation in very pocket-sized print at the bottom:

"The entire earth is a musical instrument. The pole of the world angelic is intersected where this heavenly chord is divided by the spiritual sun. Earthly music is an echo of this cosmic harmony. Information technology is a relic of heaven." – UNKNOWN.

Ads

Various advertisements appeared in the press. One graphic with a shadow  of New York Metropolis buildings under the moon quotes Melody Maker; "The People's Album". Another depicts people reading a newspaper made from the album encompass graphics, advertising the gratis Alive Jam LP. At the bottom information technology reads, "Annals to vote/the earth depends on you."

The Songs

John and Yoko alternated songs, prefacing the dialogue they would have after on their albumsDouble Fantasy (1980) and Milk and Love (released in 1984 after John's expiry).  However, these were not the couple's usual dearest and peace songs which we had cherished. This was an unexpected follow-upwards to John'due south anthology Imagine. Nosotros were presented with some heavy political messages that we could not fully understand at the time equally teenagers. The establishment hated information technology. Rolling Stone called it "incipient artistic suicide". John was bewildered by the album's failure. He abased the idea of a live tour and did not record new music for most a twelvemonth.

The album's first track is 'Woman is the Nigger of the World'. This was a quote from Yoko in the March 1969 consequence of U.1000. mode mag Nova featuring a 6-page interview with the Lennons, who announced on the encompass.  Yoko used the N-word as she felt that it described 'any oppressed person.'  In this example, information technology referred to the repression of women past male order. John repeatedly screams line, 'We make her paint her face up and dance' at the end. John fabricated his first demo of 'the song in summertime 1969 just afterward the mag's publication. The magazine cover was besides used every bit the single's picture sleeve, using the Nova magazine logo.

The mag printed Yoko'due south quote nether the photograph on the cover.

He: I've been black, been a adult female, been a Jew.

She: Woman is the Nigger of the globe.

(Within the fragile earth of John & Yoko).

Yoko later explained that her comment was inspired by the London music scene.

 "When I went to London and got together with John that was the biggest manlike scene imaginable. That's when I made the statement 'woman is the nigger of the globe'."

– Yoko to Robert Enright, 1994

They premiered the song on The Dick Cavett Show on May eleven, 1972. John was certain that it would exist a No. one hit, being naive to the fact that radio stations would not play the record despite phoning them himself and doing radio interviews. The interviews were broadcast, but not the song.

* There was a big controversy during the 'Me Too' move in 2018 when Bette Midler quoted this song in a Tweet which she later deleted under pressure.

The second runway is Yoko'south 'Sisters, O' Sisters'.

Yoko: Male chauvinist pig engineer!

John: Right on sister!

This flake of studio chatter was left at the beginning the song. It's likewise the B-side of 'Woman Is the Nigger of The World'. Yoko'southward opening lyrics speak of ecology; the loss of our green land and clean air. The sing-along tune urges women to stand up up, unite and use their wisdom to fight for liberty and a new globe. This was performed only days after it was written at the John Sinclair rally in Ann Arbor Michigan on December 10, 1971 and at the Apollo Theater in Harlem, New York for the families of the riot victims at New York'southward Attica Land Prison house. Information technology was also done live on television (The David Frost Show) in January 1972, and at the 1 to One concerts at Madison Square Garden in NYC on August xxx that same yr. The song has a reggae influence. John was introducing the genre to the Elephant'southward Memory band at the time.

On the Frost bear witness, John and Yoko acoustically performed several songs from the anthology – sitting at the edge of the phase. (Renowned Japanese graphic designer Tadanori Yokoo threw paper planes into the audience). John and Yoko had an intense fence with an audience member accusing them of glorifying prisoners in their song 'Attica State'. The lyrics chronicle an uprising of inmates at the prison with many deaths at the easily of prison guards. Their stance was that freeing, educating and rehabilitating prisoners was more beneficial than locking them up. (Ironically – in a lamentable twist of fate, John's killer was incarcerated Attica Land).

In Jan 1972 John and Yoko performed iii songs from the album and the song 'Imagine' at NYC'southward Apollo Theater. It was a do good concert for families of victims of Attica Country'due south prison uprising.

At this time, the FBI started trailing John and Yoko. The U.S. regime would shortly begin the displacement procedure, thinking that the Lennons forth with their radical friends might organize against Nixon'southward second-term election.

Yoko's song 'Born in a Prison' stems from a piece of work called Seven Little Stories, written by Yoko at age nineteen. Some of the lyrics are from i of her brusk poetic stories in this series called Reincarnation, rooted in the Japanese ideology of animism; that all beings and objects are imbued with a soul.

'Reincarnation'

"Mirror becomes a razor when information technology'southward broken  / Stick becomes a flute when it's loved

In the vocal, Yoko refers to the suffering of 'dilapidated' human being beings – who are literally and figuratively imprisoned, physically by society, or by our own limited thinking which 'shatters' our fate. The transforming characteristics of these objects when they are broken or loved (mirror and stick/woods) illustrate our choices; self-harm or healing.

Woods becomes a flute when it's loved
Reach for yourself and your battered mates
Mirror becomes a razor when it's broken
Expect in the mirror and see your shattered fate

John's proclamation of dearest for 'New York City' updates us on the couple's latest events. He declares that they feel free in the city without anyone 'bugging' them, deciding to 'make it our dwelling'. Referencing their deportation troubles is the line "If the man desire to throw us, out nosotros're gonna spring and shout, 'The Statue of Liberty said 'come'!" On this rocker they name-cheque some of their new friends; Jerry Rubin, street musician David Skin and their Elephant's Memory ring members.

"It was Yoko who sold me on New York… She made me walk around the streets and parks and squares and examine every nook and cranny… In fact, you could say I fell in love with New York on a street corner."

 – John

Side two begins with two songs virtually the massacre in Republic of ireland (a country close to John because he had Irish roots); 'Sunday Bloody Lord's day' and  the folky song sung together with Yoko 'The Luck of the Irish'.  John owned a pocket-size isle on the Irish declension to which he had hoped to retire with Yoko.

(* A cover version of 'Luck of the Irish' by Japanese band Shonen Knife appears on their 1991 anthology 712, with Steve McDonald of Redd Kross on lead vocal.)

'John Sinclair' – On Dec 9, 1971 Abbie and Jerry had convinced John and Yoko to play at a rally in Ann Arbor, Michigan to gratis left-wing writer John Sinclair who was in prison for possessing ii marijuana joints. They acoustically played four songs that would exist on the anthology; "Attica Country", "The Luck of the Irish gaelic", "Sisters, O Sisters" and "John Sinclair". A pic fabricated of the performance is chosen Ten for Two. Sinclair was freed from prison shortly later – before the album was released!

Broadcast in Jan 1972 John and Yoko appeared on The David Frost Testify (filmed in Dec) opening with a vocal called "The Ballad of New York City" with their friend and his band David Pare & the Lower East Side, replicating the songs performed at the Sinclair rally.

'Angela' is sung together past John and Yoko most Angela Davis – a communist American counterculture activist, Blackness Panther party member and philosophy professor at UCLA. She too directed the university's Feminist department. Prior to her arrest in 1970, Davis was the third adult female ever listed on the FBI's Virtually Wanted list. Davis was jailed in 1970 facing murder charges involving guns that she owned. She was acquitted of all charges in June, the calendar month of the album's release. Bob Dylan's 1971 vocal 'George Jackson' is nigh Angela's young man. Jackson was shot and killed past guards at San Quentin prison in August when he attempted a prison escape. This incident indirectly sparked the riots at Attica State prison. The Rolling Stones' vocal 'Sweetness Blackness Angel' on Exile on Principal Street (1972) is also about Angela Davis. Angela continues her piece of work today as a lecturer and activist.

'We're All Water' is Yoko'due south song which shows united states of america that we are all the aforementioned by contrasting people who might appear to be very unlike. She cleverly compares Chairman Mao and Richard Nixon – naked. Marilyn Monroe and Lenny Bruce – in their coffins. The heartbeats of Raquel Welch and Jerry Rubin, the tears of Eldridge Cleaver and the Queen of England, the smiles of (Charles) Manson and the Pope and lastly, 'y'all and me' because we all have the aforementioned dreams. It'due south becomes a free-form screamer at the cease with the wild sax of Stan Bronstein and Yoko'southward screams of 'What'south the divergence' as we all evaporate together! Yoko has always believed in the healing properties and memory of water, as evidenced in the scientific work of Masaru Emoto. Her performance of the song at the One To One Concert (eight/30/72) was omitted from the anthology and the video.

The Songbook:

LIVE JAM

Side Three : Alive at the Lyceum Ballroom, London – December 15, 1969

(Come across beneath for list of musicians)

'Common cold Turkey' / 'Don't Worry Kyoko (Mummy's Only Looking for Her Hand in the Snow)'

The Lyceum concert was also the first presentation of John & Yoko's worldwide poster entrada declaring "State of war IS OVER! If You Desire It".

Run into my complete story about the Lyceum evidence and see video clips here:

https://madelinex.com/2003/12/fifteen/plastic-ono-supergroup-the-lyceum-london-1969/

(Excerpt):

John: "It was a FANTASTIC prove – very heavy. A lot of the audience walked out you know, simply the ones that stayed – they were in a TRANCE man. They merely all came to the front end because information technology was one of the first real heavy stone shows where we had a good, adept backing… Some of those kids – they were actually immature- it was a UNICEF concert prove or something. Some of those kids formed those freaky bands later. Because in that location were about 200 kids at the front there, some were about 13, 14, 15 who were looking at Yoko and looking at us the mode nosotros were playing that 'Don't Worry Kyoko' and it actually reached a peak of (any y'all call it) information technology really went out there that night. And I often think I wonder if… you lot know I hear touches of our early stuff in a lot of the punk/new wave stuff – I hear licks and flicks coming out. Information technology pleases me, it pleases both of us. I'd love to know were they in the audience and did somebody go and form a group in London because it certain as hell sounds like it."

– @ The Hit Manufacturing plant, Dec vi, 1980

See my complete story about the song 'Don't Worry Kyoko

(Mummy'southward Only Looking for Her Hand in the Snow)'

https://madelinex.com/2013/11/20/yoko-songs-dont-worry-kyoko/

My story nigh the State of war Is Over! affiche and advertising campaign:

Nosotros Want Information technology! https://madelinex.com/2019/12/15/nosotros-desire-it/

Side Four: Live at the Fillmore E in NYC

with Frank Zappa and The Mothers of Invention – June half-dozen, 1971

(See below for listing of musicians)

'Well (Baby Please Don't Get)' past Walter Ward / 'Jamrag' / 'Scumbag' (credited every bit Lennon/Ono/Zappa / 'Au'

John doctored the inner sleeve forLive Jam by writing and drawing over the cover of Zappa's anthology Fillmore Due east – June 1971. Zappa disliked the removal of backing vocals (of Mark Volman and Howard Kaylan) and removal of his writing credit for 'Male monarch Kong' which was renamed 'Jamrag'. John also breached the agreement that they could each release their own versions of the songs. Due to legalities, Zappa's version could not announced until 1992 (every bit Playground Psychotics).

Remixed version of Side 4

Remixes of the live recordings on side 4 ofSome Time in New York Metropolis were released in 1992 on Frank Zappa'due south anthology Playground Psychotics. The album makes Zappa more prominent, and some songs were given new titles (i.e. 'Say Please' and 'Aaawk' are edited from 'Jamrag' (a longer slice onSome Fourth dimension in New York Metropolis), and 'Au' is retitled 'A Modest Eternity With Yoko Ono').

A Small Eternity with Yoko Ono

The encore at the Fillmore E (June 6, 1971).

A different mix – on Zappa's Playground Psychotics anthology.

Listen here!

https://www.youtube.com/watch?v=XiQSQMSOHvA

Video of the released Lennon/Zappa/Ono performance:

https://www.youtube.com/lookout?v=G18aGDMy5Y4

In 1986, Yoko invited me to a party in NYC for the launch of John'southward book Skywriting By Word of Mouth. Information technology was at a club called The Saint, which I didn't know at the time was the old Fillmore East, where the OTHER side of that live jam anthology (included with Some Time in New York Urban center) was recorded with Frank Zappa! I was dancing with Yoko in that very aforementioned place!!! There is at present a plaque on the edifice stating its history. The DJ played 'Walking On Thin Ice" and people were dancing! It was the first time e'er that nobody ran out the door when her music came on! I said, "Yoko – look! Anybody is dancing!" And she said, "Oh, well maybe I'one thousand condign too commercial!" Knowing her, I think that she was NOT kidding!!

This story is an excerpt from my Yoko Ono biography

In Your Mind – The Infinite Universe of Yoko Ono

by Madeline Bocaro

An all-embracing await at Yoko Ono's life, music and art – in stunning detail.

Read all about the book, see the reviews and

Order hither:

https://madelinex.com/2021/12/xix/my-new-book/

HARD Comprehend books are only available at…
Conceptual Books

Contact: conceptualbooks@icloud.com

One To One Concert

Yoko performed 'Born in a Prison' live at The Ane To One (do good concert for children of Willowbrook institution). I attended the matinee at age xiv on Baronial 30, 1972 at Madison Square Garden in NYC. Information technology gave me chills at the terminate when she'southward shrieking, 'Let me out!!'  Information technology's adorable when she says, "I'll meet you outside the prison mates!" at the end!!!  I still accept the edition of Yoko'southward Box of Smile fabricated especially for that day.

John was planning a live bout of the USA, but highly unfavorable press reviews of the concert discouraged him from doing so, although the audiences were highly receptive.

(Come across videos from the One to I concert below).

Encounter my full story most the One To One concert here:

https://madelinex.com/2017/08/30/john-yoko-madison-square-garden-eight-xxx-72/

One To I Photos past Bob Gruen:

Photos: Alec Byrne:

The evening operation ended with a long reggae version of "Requite Peace a Chance" – Yoko is reading a speech written by Adolph Hitler!

The I To I concert was released on VHS in 1986.

Yoko invited me to the premier. I was sitting behind her, watching her watching the film of the concert with Sean.

Andy Warhol walked in correct after this song ended… I was in an aisle seat, and as Andy stood adjacent to me. I told him, in my highly excited state, Oh Andy you only missed Yoko'south best song!!!" He replied, "Ohhh nooooo! Really???!?!!""

Oh, and it's Stan Bronstein (Plastic Ono/Elephants Memory Band) on sax – who rocked out on Yoko's Approximately Infinite Universe album. He besides played the hateful sax solo on the Disharmonism song 'Drug Stabbing Time'!!!  Stan is also skronking abroad on the New York Dolls' second album Too Much Too Shortly – particularly on 'Man Beingness'!!

Some Fourth dimension In New York Urban center

Musicians:

John Lennon – guitars, vocals / Yoko Ono – vocals / Jim Keltner – drums, percussion

Elephant'due south Retentivity:

Stan Bronstein – saxophone, flute  / Wayne 'Tex' Gabriel – guitar / Richard Frank Jr. – drums, percussion / Adam Ippolito – piano, organ  / Gary Van Scyoc – bass / John La Boosca – pianoforte

Alive at the Lyceum Ballroom in London, England on 15 December 1969, for a UNICEF clemency concert.

John Lennon – guitar, vocals / Yoko Ono – bag, vocals / Eric Clapton ('Derek Claptoe') – guitar / Delaney & Bonnie ('Bilanie & Donnie') – guitar, percussion / Jim Gordon  ('Jim Bordom') – drums / George Harrison

('George Harrisong') – guitar / Nicky Hopkins / ('Pasty Topkins') – electric pianoforte (overdubbed in Northward.Y. every bit organ was lost) / Bobby Keyes ('Robbie Knees') – sax / Keith Moon  ('Kief Spoon') – drums / Billy Preston  ('Billy Presstud') – organ Klaus Voormann  ('Raus Doorman') – bass / Alan White  ('Dallas White') – drums

The audience – a cast of thousands

Live at the Fillmore East in NYC

with Frank Zappa and The Mothers of Invention – June 6, 1971

John Lennon – guitar, vocals / Yoko Ono – bag, vocals / Aynsley Dunbar – drums / Bob Harris – keyboards, vocals / Howard Kaylan – vocals / Jim Pons – bass, vocals / Don Preston – Mini Moog / Ian Underwood – keyboards, vocals, woodwinds / Mark Volma – vocals / Klaus Voormann – bass, vocals / Frank Zappa, guitar, vocals

Reissues

In June 1981, a remixed/remastered Some Time in New York Urban center  was part of an EMI box set. It was also reissued in November 2005 as a single CD without the alive jams  instead  calculation 'Happy Xmas (State of war Is Over)' and 'Listen, the Snowfall Is Falling'. In 2010, the album was digitally remastered in its original form.

On September 4, 1972, John and Yoko performed live on Jerry Lewis' telethon for Muscular Dystrophy.

Read my story and watch here:

John and Yoko Bring Peace to Jerry Lewis' Telethon

JOHN & YOKO BRING PEACE TO JERRY LEWIS' LABOR DAY TELETHON

(A documentary picture interview with Abbie Hoffman later in his life):

WATCH HERE:

STARRING Abbie HoffmanNancy Cohen
Picture producer Nancy Cohen interviews revolutionary hero Abbie Hoffman in this revealing documentary. The interview takes place at a New York deli in 1987, simply before Hoffman's 50th birthday and 2 years before he committed suicide. In this candid word, Cohen and Hoffman examine the defining moments from his raucous life equally a social and political activist.

http://world wide web.snagfilms.com/films/title/my_dinner_with_abbie

OR here…

https://www.amazon.com/My-Dinner-with-Abbie-Movie/dp/B00TNM42HI

(They have since edited the ending. The original had her asking a final heavy question nigh Abbie's legacy and his reply was so sad – he felt like a failure, and that he did not achieve nearly what he wanted to…So information technology ended with the interviewer (much older) at the Occupy Wall Street protests  – throwing coin around at the Stock Substitution, just like Abbie had washed decades before. You tin tell that she is and then sincere, idolizes and loves him even though Abbie thought some of her questions were lilliputian.)

© Madeline Bocaro 2019. No function of these materials may be copied, photocopied, reproduced, translated or reduced to any electronic medium or auto-readable form, in whole or in part, without prior written consent Madeline Bocaro. Whatever other reproduction in any class without the permission of Madeline Bocaro is prohibited. All text independent on this site is protected by United States copyright constabulary and may not exist reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Madeline Bocaro.

Shonen Knife – The Luck of the Irish. Vocals: Steven McDonald (Redd Kross)

New York City – Preliminary lyrics:

andersonanders1938.blogspot.com

Source: https://madelinex.com/2019/06/12/sometime-in-new-york-city/

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